Orchestrator's Shanty
Elliot Margot (AI Generated)My anthem for the builders who weave AI models, automations and governance together, from the Swiss peaks down to the lake.

My anthem: a multilingual sea shanty in English, German and French about orchestrating AI, from the Swiss peaks down to the lake.

My anthem for the builders who weave AI models, automations and governance together, from the Swiss peaks down to the lake.
I wanted an anthem for the work I actually do, and a sea shanty fitted: it is a work song, sung together, to keep a crew pulling in the same direction. That is what orchestration feels like on a real project - many models, many tools and many people, all moving one ship.
The verses move between English, German and French, because that is my working day. I am natively trilingual, and in Switzerland a single project meeting can easily use two of them.
The song is set where I work, around Lausanne, building flows from the Swiss peaks down to the lake.
The chorus carries the conviction I bring to every engagement: which model you pick matters less than how you weave the models together. Claude, Gemini and the rest are instruments; the value is in the orchestration and the automation around them.
Copilot Studio and Power Automate get their own lines, because they are the tools at the heart of my orchestration work.
Two ideas sit at the heart of the song, so here is what I mean by them.
Designing these agents and setting the rules they run under is my everyday work as Team Lead Jumpstart (Copilot and Agents) at Witivio, a Microsoft partner.